
AP photo of Arizona shooting rampage
American fears and frustrations were ripe for exploitation by the time D. W. Griffith’s film, Birth of A Nation, was released in 1915. The South was still nursing old wounds left over from a lost war that resulted in the emancipation of black people. The North was grappling with new fears with the migration of millions whose skin color represented danger. Griffith’s movie depicted blacks as monkey-like, buffoonish legislators and murderous, dark skin deviants intent on raping white women.
Birth of A Nation, which was the highest-grossing movie of the silent film era, reinforced the tenets of white supremacy by tapping into white insecurity. The Klu Klux Klan’s membership skyrocketed from 5,000 to 100,000, months after the release of a film that depicted the Klan as stalwart defenders of the great white way.
Fast forward 96 years, and we may recognize an anger and fear-based climate akin to the one that tolerated and celebrated the propaganda Griffith promoted.
Although the motivations of Jared Loughner, 22, aren’t known, it’s a safe bet that the warped mind of the man accused of killing six people and wounding 14 others on Saturday, was influenced by something dark and subversive. Authorities said Loughner targeted Rep. Gabrielle Giffords, the three-term Democrat from Arizona. She was shot in the head at point blank range while meeting with constituents outside a local supermarket.
Former vice presidential candidate, Sarah Palin, described Giffords' seat as one of the top "targets" in the midterm elections because the lawmaker supported President Obama’s health care reform legislation. Palin emphasized her point with an illustration of a gun’s crosshairs over Giffords' district. It’s premature to definitively say Palin influenced Loughner.



We don’t know who these people are but we do know their levels of irrational thought, fear and anger are off the charts. It is in this explosive environment that Rush Limbaugh lampoons Obama as the “magic Negro” and Glenn Beck warns about Obama’s "a deep-seated hatred for white people or the white culture.”

Because the extremists have millions of loyal followers who vote, subscribe to newspapers and support other media outlets, extremism is accepted. Therefore, obliging, media has become an enabler of the venom that exploits the vulnerable American mindset.
D. W. Griffith’s film was released during a time when fear and anger were at a fevered pitch in this country. Fears were amplified by exaggerated media accounts of dangerous migrating blacks. In the first six months of 1919, murderous race riots exploded in 22 cities. Assistant executive secretary of the NAACP, Walter White, listed newspapers as the top contributors to the violence when he wrote; “The long period of race-based negativity in the press inflamed the minds of many people against Negroes.”
To justify its capitulation in the face of vocal tyranny, mainstream media hides behind the banner of “free speech.” Yet, history shows us that free speech wasn’t always extended to individuals who challenged social injustice and threatened the status quo. The media did not genuflect in its effort to marginalize, demonize and rebuke their rhetoric.
Dr. Martin Luther King, Jr. once said; “sometimes silence is betrayal.” There are millions who, deep down, know we’ve crossed an ethical line. It's hard to ignore the signals that we have traipsed back to a time when hatred, fear and combustible language ignited illogical and extreme reactions and fueled murder and assassination attempts.
We can't ignore that betrayal is our silence. And our silence is our shame.
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